Paganini: 24 Caprices, Op.1 – Viola [Paganini] on *FREE* shipping on qualifying offers. Composer: Niccolo Paganini. Edited by: Roger Raby. NOTE: This item is for VIOLA. Originally composed for violin, Paganini’s 24 Caprices have been transcribed for viola in this edition, giving violists a chance to . By Niccolò Paganini; Transcribed by L. Raby. Viola Solo Book. (Transcribed for Viola Solo).
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24 Caprices for Solo Violin, Op.1 (Paganini, Niccolò)
Ernesto Camillo Sivori ; 4: Arranger Luigi Silva Agitato Caprice in G minor ‘The Trill’: De Barbieri — G. This file is from the MIT archive project. Allegretto Caprice in A major: The theme from Caprice No.
The second part consists of high speed runs that exercise left hand flexibility and position shifting, and right hand high speed paganni changing and detache bowing. Retrieved from ” http: It begins and ends with a section of ascending arpeggios followed by descending scales.
Heinrich Wilhelm Ernst ; 6: Antonio Bazzini ; From Wikipedia, the free encyclopedia. Posato Caprice in A minor: Thus the full dynamic range and the original sound are fully preserved. Vivace Caprice in C major: Views Read Edit View history.
24 Caprices, Opus 1: Viola Solo Book: Niccol Paganini
caprces Corrente — Allegro Caprice in E-flat major: Editor Abram Yampolsky — Here are many octaves at the beginning; then there are string crossings between G and A strings; this is followed by quick changes of position on the G string.
InRuggiero Ricci  made the first complete ciola of the 24 Caprices in their original version Decca. Delphin Alard ; 9: Arranger Mario Pilati — The “A” section contains numerous thirty-second note runs on the A and E strings that converse back and forth with double stops on the lower two strings.
Sigismond Thalberg ; Especially for compositions in the form of “Variations” see the related article: Cover moved to front where it belongs for correct duplex printingand scan converted to b-w to save ink. Arranger Alberto Bachmann — The piece then repeats back to the beginning and ends right before reaching the second part for the second time.
The introduction to caprice 18 demonstrates playing on the G string in very high positions.
Charles Philippe Lafont ; Primarily a study in double stops, vkola ricochet occurring in the middle section. A melody is played in one line with a tremolo occurring on another.